Tuesday, July 7, 2009

Rain, Rain, Go Away


The Art, Garden Party at the Fuller Gardens has been postponed to Thursday evening, July 9th, in the hopes of catching a break from this incessant rain. It is an out door art auction and garden party. I have three paintings up for auction and will be showing a couple more during my demo.


One of the paintings is an expressionistic depiction of the Nouveau Well in the Fuller, rose garden:


Sunday, July 5, 2009

Fuller Gardens


Wednesday, July 8th I will be doing a demo painting and showing some of my art work at the historic Fuller Gardens, North Hampton, New Hampshire. There also will be an art auction from 5 PM to 8PM that day.

Oil Pastel of the art nouveau well in the center of the rose garden at the Fuller Gardens.

The painting is 11 by 14 inches.

Monday, June 29, 2009

Plein Air on the Piscattaqua


Gus, my Golden Retriever, and I went plein air painting along the Piscattaqua River in New Castle, NH. The only shade available was in a yard by the road. The owner of the property was walking down his driveway carrying a bucket. He said that he would be delighted for Gus and me to use his yard. He walked on down to the river and came back in about a half an hour with a bucket full of mussels.
I had about 80 percent of the painting finished in about three hours and finished it at home. I left the bottom unfinished as a vinette. It is an acrylic, 11 by 14 inches, on stretched canvas.

Friday, June 19, 2009

Oil Pastel


Since I've kind of given up on soft pastels due to the dust in the studio (mine is a bit small). A friend suggested oil pastels.
I've began to experiment with them and they handle more like oil paint than pastels. Instead of rubbing the dust around on the paper, you smear the oil pastel and can even use solvents to move it around like oil paint.
I chose a reference photo from the www.wetcanvas.com website's reference library. The reference photo didn't have the monks in it but I felt the painting demanded the monks.
The pastels were Gray Pas and Erengi and the support was a gessoed masonite panel on which I placed an extra layer of gesso and pumice. I realized that the pumice was not necessary and actually interfered with the blending. The painting is 11 by 14 inches.

Monday, June 15, 2009

Latest Plein Air Painting


I went plein air painting to the causeway that seperates New Castle and Portsmouth, NH and found an interesting subject in the back channels and islands in the area. The small boat is on the far side of the small island in one of the channels and had an isolated feel that appealled to me.

It is an acrylic painting, 11 by 14 inches on a gessoed masonite panel.

Saturday, June 13, 2009

George Cherepov


I'm sorry to have been away for such a long time. Alas when one gets old, these things happen.

There is a movie coming out called "Local Color" dealing with a young artist wanting to learn traditional painting but he is unable to get it in college art schools. He badgers an established artist to give him the training he wants. Supposedly movie is based on the producers true story. I've been told that the artist was George Cherepov. I've been experimenting with limited palettes (3 colors and white) and another artist told me that Cherepov's limited palette was: Prussian Blue, Indian Red, yellow ochre and white. This painting I did with that palette as an experiment. With the three dull, dark primaries, I was surprised how vibrant the colors were that I was able to mix.

I've ordered George Cherepov's book on oil painting from the used book market. I'm very impressed by the few paintings I've seen of his.

Saturday, April 4, 2009

New Images in my Zazzle


I added three new images to my Zazzle: http://www.zazzle.com/halsart . The one showing here is the surf on the coast of Rye, New Hampshire, just after a Noreaster passed by.
I've been experimenting with Chigiri-e (literally: tear art) but I haven't achieved a piece I'm willing to share as yet. I'm having difficulty achieving a blend of colors. Just what translucent paper to layer over another colored paper to achieve a graduated color shift. It's more demanding than I thought it would be. I have twenty sheets of different translucent color but I wish I had forty different colors to achieve more subtle color shifts. I may break down and make my own. In fact I'm pretty sure I'll have to resort to making my own using white rice paper. In my previous posting, I included a link to an artist who knows what he's doing in this art form. I wish I could have him as a mentor. I much admire this art form.




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